So, here I am by myself in this enormous guesthouse overlooking the lake. It is extremely clean with new furniture, but feels a bit like a mausoleum. I could be the first person that has ever stayed here; there is so little trace of this house having been lived in. The guesthouse is in the town of Kibuye, the camp is in Kiziba, which is about a 40 minute drive from town.
Kiziba is a bit of a fever dream to visit, with its permanent fog and hazy view of Lake Kivu. The lake here has a Mobius strip coastline, sharply rising into green terraced hills. There are a host of small islands, none of which look particularly inhabited, dripping off of the shore.
The road from Kibuye up to Kiziba is carved like a wound into the side of the hills; it is a coarse, bumpy road that still manages to provide a spectacular view with every twist and turn.
When one approaches the camp, the first thing that hits you is the strong smell of eucalyptus, mixed alternatively with wood smoke or goat manure. There is eucalyptus everywhere, both in its standing planted form and chopped into poles and branches for building and fire, the only two things humankind has ever wanted from a tree. The shaved bark surface of the eucalyptus gives it texture and depth, light tans mingling with ashy grays, the kelly green leaves flapping in the wind or laying listlessly on the ground in defeat, slowing turning bronze.
Kiziba has actually expanded from the last time I saw it. When I was here in 2013, you turned a corner on the road and beheld the camp as a large mass of off-white shelter roofs crowning a hilltop. Now, those shelter roofs extend down the side of the hill, almost reaching the valley. The road is in a bit better condition, the surrounding agriculture appears a bit more organized. You enter the camp through the high mists and clouds, the hard-packed dirt road scarred a thousand times with ruts and rivulets. Past the ARC office is the central boulevard of the camp, lined with mud-and-stick buildings bearing hastily-crafted signs for various businesses. There is even a ferry agency where you can buy a ticket to take a boat across Lake Kivu. I stumble along with Gustave and Gentil among the steady stream of Congolese people. There are lots of children, but also lots of older people walking with sticks, the men in leather cowboy hats and the women in tattered pagne headscarves. We arrive at the big central market, where women sell small piles of tomatoes and pale eggplant off of torn raffia sacks. I find one woman who is from Fizi Territory, and we manage to hold a brief conversation in Kifulero and Kibembe, two of the peculiar languages of South Kivu. I buy some avocadoes and tomatoes (later I give them to the housekeeper to take home to her family), and we move on.
Gustave and Gentil divert us from the main road into the narrow corridors between shelters to inspect some roofing transformations. The passage is so narrow that it only allows one person at a time between houses, past dark doorways and through puddles of mud. The only way one does not become completely lost is by following the slope of the hill, which is what we do until we find open space and a road at the bottom of the camp. Beyond us, there are sorghum fields and churches, beyond the confines of the camp. The lake still appears as a gray, dreamlike band in the distance. Beyond it lies Congo, its crocodile and okapi mystique obscuring the mokele-mbembe calling to our souls.
We wander back up the hill, past the old school buildings now barricaded and rusting, past the gleaming new brick-and-blue-paint schools, past the samurai castle walls holding back the hillside, past groups of men sitting on tree roots, past houses with rusting tin doors fashioned out of flattened USAID vegetable oil cans, back towards the neural center of the camp.
Gustave and Gentil take me to a long mud house, where an Oromo man called “Cappuccino” runs a business selling spicy tangawizi (ginger) tea, coffee, Fanta, and chapatti. The tangawizi tea is so strong it gives me hiccups; the fluffy, warm chapatti was baked this morning and is stored in enormous black plastic containers that resemble 1960s undersea exploration submersibles. There are gargantuan thermoses full of hot water lining the wall, and somehow a satellite TV perched on several Fanta crates showing a cycling race in Italy. Mr. Cappuccino has been in Kiziba for 6 years, knows very little Kinyarwanda, but seems to manage with Kiswahili and a little English.
After finishing the tea, we go back to the office, which overlooks the basketball courts built a long time ago. All the ARC logos with strange acronyms I have never heard of before, in curving fonts I have never seen before, make me feel like I have wandered back in time somehow, back when some longer-haired version of me was falling head over heels for a girl like you, except you were wearing a paisley-print dress and drove a Chevy Nova instead of a CRV. Gustave and I finish up work to the noise of children on the basketball court. On one side, a group of young boys play soccer. On the left side, a group of adolescent girls play basketball. The backboard has “ARC” written on it in big, green letters.
I think about you all the way back to Kibuye, the Land Cruiser packed to the maximum with all the staff going home for the evening.
Right now, I am listening to my favorite evening-in-the-field album (Rudiger Oppermann and Malamini Jobarteh, “Same Sun, Same Moon”), and trying to figure out how I am going to shower and slip into bed.